anarfea: (Lust)
I took Vulgarweed's advice and purchased the book Transcendent: The Year's Best Transgender Speculative Fiction. I read the first story, and I think I made the right call in scrubbing the name "Molly" (or whatever I would have called them) from the novel. The first story, The Shape of My Name, is quite careful never to use the protagonist's deadname, At one point, the character "you" (the protagonist's mother) says, "I need you to watch--". Other times the name is referenced as "the name you called me," or "the name that was never mine." Anyway, deadnaming seems to be a sore subject for the readers who I hope will make up my audience, so I'm going to try to avoid ever having anyone call my protagonist anything but "Hooper" or "Doctor Hooper" until Holmes asks him what he wants to be called and he says "Colin." Then Holmes will call him Colin in private and everyone else will continue to call him "Hooper" or "Doctor Hooper."

The one place I'm unsure of is what name Hooper should use at the Molly house, where everyone goes by female names. I had originally used "Molly" because Hooper can't think of a female name other than their deadname, but I'm thinking that's not the way I want to go for the novel. So I'll have to come up with another female name for the Molly house scenes, I think. I also need a female name for Holmes! 

I'm open to suggestions, if you have any.
anarfea: (Lust)
So, there's been a lot of justifiable backlash about American Dirt, because Jeanine Cummins basically exploited Latine pain for her own profit, and appropriated a Latina identity by citing her Puerto Rican grandma when a few years ago she identified as White. Anyway, I've read some pretty scathing critiques of the novel written by Latine authors, and I'm increasingly feeling anxious about my own novel project.

My own novel, for those of you who have forgotten or didn't know, is about a transmasculine person in Victorian London. And I've had some angst about writing this novel since I'm cis, and now I have more angst about writing this novel. Anyway, but there were some questions that Myriam Gubra posed to writers who want to write about characters from a group they're not a part of, and I thought it'd be a good exercise to answer them:

“Why do you want to write from this character’s point of view?”

I saw The Abominable Bride, and how they made Molly Hooper a cross dressing woman who disguised herself as a man to get ahead, and I was like, "wouldn't it be cool if he were trans?" and that was basically what got me thinking about writing this story. I feel like there are lots of stories about women dressing up as men to do things that women aren't allowed to do, and those are cool stories, but I also feel like I'm not convinced they're true stories? Just, as a cis woman, I can't imagine pretending to be a man 24/7, and I can't see why anyone would--unless they were either trans or gender non-conforming to some extent. So I feel like actually a lot of these "women who dressed as men" were either trans or otherwise gender non conforming, and I wanted to write a story about a transmasculine person in a historical setting because I feel like that story isn't told as often. And I really wanted to write from the POV of character finding their place in the world and finding community, which is what I have kind of always been looking for as a Mexican adoptee adopted by White people, but I didn't want to write that story because I don't want to write an autobiography, so writing about a character looking for a different kind of identity and belonging seemed like the thing to do.

“Do you read writers from this community currently?”


I do and I don't. I mean, I definitely try to read fic with trans characters or written by trans authors. But I haven't read any regular published books by trans people, and I definitely should. I'd been focused on finding trans sensitivity readers, but I definitely need to do more reading. And more research!

“Why do you want to tell this story?”


So, this is the one that concerns me. Because I do feel like I've maybe been a little "savior-y" in that one of the reasons I want to tell this story is because I feel like there aren't a ton of trans stories, and I know that not all trans people want to write trans stories, but I can and maybe having that story out there will help people see themselves represented and that'd be neat. But then, isn't some transmasculine person presumably better qualified than me to tell this particular story?

Also, and this maybe feels like the "but my Grandmother is Puerto RIcan, I'm Latina," I'm bisexual. So, while I'm not trans, I still feel that I'm still part of the broader queer community. I have lots of trans friends. I consider myself a trans ally. But I'm worried about wanting to tell this story for trans people is patronizing. 

And the third reason is that I'd just like to see some fucking diversity of queer representation. Maybe I'm biased because fanfic, but I feel like almost all queer media is m/m. And I's super like to see some other kinds of queer expression. That's also why I decided, after LOTS of angst, not to make Molly/Colin a trans man. Because then my story would be m/m. And my Sherlock would be gay. Not that there's anything wrong with m/m or gay!Sherlock. God knows I've read a lot of it. But a Sherlock who is usually attracted to men but maybe might just go for a woman under the right circumstances and a Molly/Colin who is usually a man but might be a woman under certain circumstances is more interesting to me because it's been done less? Not saying that being bi or genderqueer is inherently more interesting than being gay or binary trans, but I certainly feel like there's less of it which therefore makes it more interesting to me (and also potentially shrinks my audience because there's definitely a bigger audience for m/m romance but I'll worry about that later).

Finally, I just, don't get many ideas for original writing. I haven't written an original novel in all the years I've been writing because I haven't had an idea for one. And now I'm like a dog with a bone and I'm like, please don't take my bone away from me.

Anyway, I'm still going to write this novel. But I guess I should go read some transgender people's memoirs. 

anarfea: Jim Moriarty in Sherlock's Coat (Default)
I am so super excited. I made the decision that to motivate myself to finish, I'm actually going to write the first draft of my novel as a Sherlolly novel, and then focus on scrubbing after. I think this was the right choice because....

I have an outline! I wrote it over the last few days. I'm super excited to see this story taking shape.

I was writing with a mind to scrub, so I got rid of as many TAB specific references as possible. I have a brand spanking new plot with Sir Eustace as a factory owner dealing with striking workers, and Emilia as an ally. I have Janine as a labor organizer! There is a murder. And Holmes comes to investigate the case.

I've also got a slow burn enemies to lovers arc going on with Hooper and Holmes. They start as adversaries, with Holmes investigating Emilia's murder. They gradually learn to respect and then develop affection for each other.

The second half of the novel is an adaptation of the Charles Augustus Milverton. 'Lady Eva' Blackwell, the proprietress of a molly house Holmes occasionally visits, is being blackmailed by Milverton, who is demanding the names of the establishments patrons. Holmes and Hooper try to negotiate with him. Mycroft promises to take care of the situation if only they will do the respectable thing and get married.

Finally, I decided to simplify Hooper's gender identity, and just make him transmasculine. I know far more people who fit this description than I do people who are genderfluid, and I feel like I have a better chance of getting this right.

Anyway, I'm super excited to get started on this. But, I need to balance work on this story with my FTH projects, so, it will be slow going. But I have a story to tell and I'm excited about it.




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anarfea: Jim Moriarty in Sherlock's Coat (Default)
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